By Greg Forter, Lothar Honnighausen, Thomas McHaney, John Rowe, Ted Atkinson, Timothy Caron, Deborah N. Cohn, Susan V. Donaldson, Leigh Anne Duck, John Duvall
This entire spouse to William Faulkner displays the present dynamic kingdom of Faulkner reports.
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Extra info for A Companion to William Faulkner
This much is critical commonplace. ”7 On which ground (Mannie’s ground), Rider as the Mosaic embodiment of black labor, circa 1941, is independent. Yet such autonomy does not gel with the manner of his death, lynched by the Birdsongs. “Hanging from a bell-rope in the Negro schoolhouse” (p. 116), his corpse makes their educative point that “extra legal violence” continues to operate as “an instrument for social discipline” in ways “guaranteed to serve the needs, and particularly the labor needs, of the white caste” (McMillen 1989: 242).
The coexistence of the two incidents, along with the tacit invitation that we read the latter through the former, ensures that, seeing as Sutpen saw (in 1859 as in 1820), we see the irrepressible recurrence of an economy’s founding and recurrent impasse, even as that recurrence revises the status and position of the subjects involved. The “child” come again who is and plays Sutpen is a slave (black goods); the master who is and plays the “monkey nigger’s” part is, despite his name (Sutpen), black goods.
1987). Rural Worlds Lost. Baton Rouge: Louisiana State University Press. Krips, H. (1999). Fetish: The Erotics of Culture. London: Cornell University Press. Litwack, L. F. (1998). Trouble in Mind. New York: Alfred A. Knopf. Mandle, J. R. (1978). The Roots of Black Poverty. Durham, NC: Duke University Press. Mandle, J. R. (1992). Not Slave, Not Free. Durham, NC: Duke University Press. Matthews, J. T. (1996). Touching Race in Go Down, Moses. In L. ). New Essays on Go Down, Moses (pp. 21–48). Cambridge: Cambridge University Press.
A Companion to William Faulkner by Greg Forter, Lothar Honnighausen, Thomas McHaney, John Rowe, Ted Atkinson, Timothy Caron, Deborah N. Cohn, Susan V. Donaldson, Leigh Anne Duck, John Duvall
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