By Diana E. Henderson
This Concise better half offers a multidisciplinary variety of techniques to an enormous multimedia topic, Shakespeare on monitor.
The book’s participants use the most recent pondering from cultural stories, communications, and comparative media, in discussion with literary, theatrical, and filmic techniques, so that it will push the sphere ahead. they give thought to Shakespeare on display not just as a suite of entire items but in addition as a approach. accordingly, the amount is equipped round themes equivalent to authorship and collaboration, theatricality, intercourse and violence, globalization, and historical past.
The Concise spouse bargains readers a number of obtainable routes into Shakespeare on monitor and helps extra research of the topic in the course of the inclusion of a bibliography, a chronological chart, and an intensive index. whilst, it serves as a focus for exploring primary concerns within the research of literature and tradition extra widely, similar to the relationships among elite and pop culture, paintings and undefined, textual content, photograph, and function.
Read or Download A Concise Companion to Shakespeare on Screen PDF
Similar shakespeare books
Written via a global workforce of literary students and historians, this collaborative quantity illuminates the variety of early sleek spiritual ideals and practices in Shakespeare's England, and considers how non secular tradition is imaginatively reanimated in Shakespeare's performs. Fourteen new essays discover the artistic methods Shakespeare engaged with the multifaceted dimensions of Protestantism, Catholicism, non-Christian religions together with Judaism and Islam, and secular views, contemplating performs similar to Hamlet, Julius Caesar, King John, King Lear, Macbeth, degree for degree, A Midsummer Night's Dream and The Winter's story.
Robert Weimann redefines the connection among writing and function, or "playing," in Shakespeare's theater. via shut examining and cautious research Weimann bargains a reconsideration and redefinition of Elizabethan functionality and creation practices. The research experiences the latest methodologies of textual scholarship, the hot background of the Elizabethan theater, functionality concept, and picture and video interpretation, and provides a brand new method of figuring out Shakespeare.
This e-book is a authoritative account of Shakespeare's performs as they have been remodeled from scripts to be played into books to be learn, and finally from well known leisure into the centerpieces of the English literary canon. Kastan examines the reasons and actions of Shakespeare's first publishers; the curious eighteenth-century schizophrenia that observed Shakespeare substantially transformed on level on the very second that students have been operating to set up and fix the "genuine" texts, and the exhilarating probabilities of digital media for providing Shakespeare now to new generations of readers.
- The Existential Dramaturgy of William Shakespeare: Character Created Through Crisis
- Divining Thoughts : Future Directions in Shakespeare Studies
- Class and Society in Shakespeare
- The art of Shakespeare's sonnets
- Shakespeare's English Kings: History, Chronicle, and Drama
Extra info for A Concise Companion to Shakespeare on Screen
Taymor wanted to evoke an ancient world of ritual, mausoleums, and orgies alongside elements of modern America. Tanks, horses and carriages, limousines, bows and arrows, machine guns, and electric Olympics-style torches appear in close-up. There is no synthesizing stability in Titus – different peoples, architectures, “texts,” and cultures coexist rather than blend. And whilst Taymor speaks of the enduring, unifying resonance of Shakespeare’s words, those words are continually “upstaged” by savage spectacles: this is in keeping with much twentieth-century criticism which emphasizes the clash between Shakespeare’s ﬁgurative, sometimes absurdly ornate language and the horriﬁc, relentless violence of the play.
Sometimes – let us hope often – we may feel sheer irrational pleasure. For the pictures continue to move, in many and mysterious ways. 7 Elsie Walker Chapter 1 AUTHORSHIP Getting Back to Shakespeare: Whose Film is it Anyway? Elsie Walker Near the beginning of Looking for Richard (1996), Al Pacino prepares to deliver the famous ﬁrst speech from Shakespeare’s Richard III. Sporting an irreverent baseball cap, the actor/director walks onto an ornate, mock-Elizabethan indoor stage. The camera cuts to show where the audience would be and there is only one member, a man whose face and dress resemble the Chandos Shakespeare portrait.
1989: 8) Similarly, in a provocative essay entitled “Nostalgia Tells It Like It Wasn’t,” David Lowenthal argues that “the past as reconstructed is always more coherent than when it happened,” and that it is wrong to assume there exists some “non-nostalgic reading of the past that is, 17 Elsie Walker by contrast, honest; or authentically ‘true’” (1989: 30). Looking for Richard attempts to recover the alleged certainties of the past, evincing a partial “recognition, and at the same time an elision, of the fact that all that is solid, ‘the cloud-capped towers, the gorgeous palaces,’ has melted into air” (Chase and Shaw 1989: 8).
A Concise Companion to Shakespeare on Screen by Diana E. Henderson